![]() Later in his career, Kenzan developed simplified versions of decoration that could be reproduced quickly and in quantity, responding to their immense popularity. The earliest ceramics made by the Kyoto potter Ogata Kenzan are finely wrought works that echo the shapes and colors of contemporaneous luxury goods, including lacquer and albums of poetry illustrated with Japanese-style painting. ![]() Signature: Kenzan, written in iron on foot. Gold lacquer repairs.Ĭlay: buff stoneware, fired in reduction.ĭecoration: in cobalt and iron, with patch of white slip, under glaze. Freer source) 1867-1940 Descriptionīowl (futujawan), missing lid, ovoidal bold foot. Previous Owner(s) and Custodian(s)īunkio Matsuki (C.L. The collection was received in 1920 upon the completion of the Freer Gallery. The original deed of Charles Lang Freer's gift was signed in 1906. Bunkio Matsuki (1867-1940), Boston, to 1899 Ĭharles Lang Freer (1854-1919), purchased from Bunkio Matsuki in 1899 įreer Gallery of Art, gift of Charles Lang Freer in 1920
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